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キロンボとアフロブラジル文学――カルロス・ジ・アスンサォンとオリヴェイラ・シウヴェイラの詩を通して――
https://doi.org/10.15026/0002000900
https://doi.org/10.15026/0002000900c39c76e6-5586-40f8-9a18-52b3e63e4d3d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
11. takeda_article.pdf (843 KB)
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| Item type | 東京外国語大学学術成果論文 / TUFS academic research paper(1) | |||||||||||
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| 公開日 | 2025-02-19 | |||||||||||
| タイトル | ||||||||||||
| タイトル | キロンボとアフロブラジル文学――カルロス・ジ・アスンサォンとオリヴェイラ・シウヴェイラの詩を通して―― | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | キロンボ ト アフロブラジル ブンガク――カルロス・ジ・アスンサォン ト オリヴェイラ・シウヴェイラ ノ シ ヲ トオシテ―― | |||||||||||
| 言語 | ja-Kana | |||||||||||
| タイトル（その他の言語） | ||||||||||||
| その他のタイトル | Quilombo and Afro-Brazilian Literature | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 作成者 |
武田, 千香
× 武田, 千香
WEKO
1385
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| 著者所属(詳細) | ||||||||||||
| 言語 | ja | |||||||||||
| 値 | 東京外国語大学大学院総合国際学研究院 | |||||||||||
| 著者所属(詳細) | ||||||||||||
| 言語 | en | |||||||||||
| 値 | Institute of Global Studies | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | 東京外国語大学総合文化研究所 | |||||||||||
| 言語 | ja | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | トウキョウ ガイコクゴ ダイガク ソウゴウ ブンカ ケンキュウジョ | |||||||||||
| 言語 | ja-Kana | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | Institute of Transcultural Studies, Tokyo University of Foreign Studies | |||||||||||
| 言語 | en | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15026/0002000900 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 収録物識別子 | ||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||
| 収録物識別子 | 18831109 | |||||||||||
| 収録物識別子 | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AA11459031 | |||||||||||
| 書誌情報 |
ja : 総合文化研究 en : Trans-Cultural Studies 巻 28, p. 65-92, ページ数 28, 発行日 2025-02-13 |
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| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 出版タイプ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||||
| 権利情報 | ||||||||||||
| 言語 | ja | |||||||||||
| 権利情報Resource | https://creativecommons.org/licenses/by/4.0/deed.ja | |||||||||||
| 権利情報 | クリエイティブ・コモンズ 表示 4.0 国際 | |||||||||||
| キーワード | ||||||||||||
| 主題 | ブラジル文学, アフロブラジル文学, キロンボ, パルマーレス, ズンビ Brazilian Literature, Afro-Brasilian Literature, Palmares, Zumbi, Quilombo |
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| 内容記述 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | Quilombos, particularly Palmares and its leader, Zumbi, play a very important role in Afro- Brazilian culture as a symbol of resistance and struggle. This paper examines the significance of the Quilombo, Palmares, and Zumbi for Black people and their roles in literature by analyzing Carlos de Assumpção’s poetry and Oliveira Silveira’s Poema sobre Palmares. Assumpção’s poems not only represent the anger and sorrow of black people suffering from discrimination and poverty, but also strongly protest against a society with structural racism. Simultaneously, they call on Afro-Brazilians to take pride in their culture, memory, and themselves. They also urge them to fight injustice together in quilombos; and hold hope for the return of Zumbi. In this context, Zumbi is deified as a messiah-like figure who fulfills the aspirations of the black people. Interestingly, Zumbi’s presence in Assumpção’s poetry increased after the publication of his second poetry collection, Quilombo, in the year 2000. Silveira’s representative work, Poema sobre Palmares, is an epic-like poem that portrays the Quilombo of Palmares, which resisted repeated military expeditions by the government and fought until its eventual defeat. However, it is not merely a celebration of its achievements. The poem extols the active involvement of black people in the history of Brazil’s nation-building, describes a quilombo as a free society based on African traditions and communalism, and highlights how black people continued their resistance following Palmares’ example. It asserts that the struggle against injustice continues in the modern-day quilombo, and in that sense, the poem itself is seen as a quilombo. Originating as settlements for runaway slaves, quilombos continue to this day as places that preserve the memory of ancestral suffering and struggle, carrying forward a spirit of resistance, while consciously maintaining cultural traditions rooted in Africa. They serve as sites fighting contemporary injustices and struggling for freedom and equality. Quilombos function as cultural and social hubs that foster a sense of community and solidarity as part of their identity. Zumbi and Palmares, carrying the memory of resistance against Portuguese colonial slavery, became discourses created during the rise of the Black Movement in the 1970s and the 1980s, aimed at the struggle for modern-day freedom and equality. Literature has contributed to this discourse by incorporating it as a theme in many studies. In Assumpção’s poetry, particularly because of the need to appeal to the masses, Zumbi was likely mythologized through a rhetorical strategy, leading to his increased presence in works after the second poetry collection. |
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| 助成情報 | ||||||||||||
| 識別子タイプ | e-Rad_funder | |||||||||||
| 助成機関識別子 | 1025 | |||||||||||
| 助成機関名 | 独立行政法人日本学術振興会 | |||||||||||
| 言語 | ja | |||||||||||
| 助成機関名 | Japan Society for the Promotion of Science | |||||||||||
| 言語 | en | |||||||||||
| 研究課題番号URI | https://kaken.nii.ac.jp/ja/grant/KAKENHI-PROJECT-21K00432/ | |||||||||||
| 研究課題番号 | JP21K00432 | |||||||||||
| 研究課題番号タイプ | JGN | |||||||||||
| 研究課題名 | ブラジルのマイノリティ文学における複合性：交差する人種・ジェンダー・クラス | |||||||||||
| 言語 | ja | |||||||||||
| 研究課題名 | Cross-sectional Study of Brazilian Minority Literature: Race, Gender and Class | |||||||||||
| 言語 | en | |||||||||||
